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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of Filipu rid horse mk237
393x267cm
1645
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Portrait of Filipu rid horse mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Basite and him playmate mk237
1631
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VELAZQUEZ, Diego Rodriguez de Silva y Artistic family mk237
1659
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Younger courtier mk237
1626-1628
oil on canvas
89x69cm
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VELAZQUEZ, Diego Rodriguez de Silva y Cross mk237
1632
Oil on canvas
250x170cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of cross mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Conquer Buleida mk237
1633-1635
Oil on canvas
307x367cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Conquer Buleida mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Filipu mk237
1635
Oil on canvas
301x314cm
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VELAZQUEZ, Diego Rodriguez de Silva y Pontifex mk237
1650
Oil on canvas
82x71.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Venus mk237
1650
Oil on canvas
122.5x197cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Venus mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Cavalier mk237
1645-1650
Oil on canvas
67x56cm
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VELAZQUEZ, Diego Rodriguez de Silva y Peasant mk237
1645-1650
Oil on canvas
65x51.3cm
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VELAZQUEZ, Diego Rodriguez de Silva y Lady mk237
1650
Oil on canvas
65x59cm
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VELAZQUEZ, Diego Rodriguez de Silva y Barber mk237
1650
Oil on canvas
50.5x47cm
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VELAZQUEZ, Diego Rodriguez de Silva y Maximi mk237
1650
Oil on canvas
73.6x58.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Bishop mk237
1650-1651
Oil on canvas
61x48.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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